Exploring some of the ways in which cultural history has glorified Pollock’s work and turned it into a monolithic iconic entity.
Author: Peter Dellolio
Born 1956 New York City. Went to Nazareth High School and New York University. Graduated 1978: BA Cinema Studies; BFA Film Production. Wrote and directed various short films, including James Joyce’s short story Counterparts which he adapted into a screenplay. Counterparts was screened at national and international film festivals. A freelance writer, Peter has published many 250-1000 word articles on the arts, film, dance, sculpture, architecture, and culture, as well as fiction, poetry, one-act plays, and critical essays on art, film, and photography. Poetry collections “A Box Of Crazy Toys” published 2018 by Xenos Books/Chelsea Editions and “Bloodstream Is An Illusion Of Rubies Counting Fireplaces” published February 2023 by Cyberwit/Rochak Publishing. He is working on a critical study of Alfred Hitchcock, Hitchcock’s Cinematic World: Shocks of Perception and the Collapse of the Rational. Chapter excerpts have appeared in The Midwest Quarterly, Literature/Film Quarterly, Kinema, Flickhead, and North Dakota Quarterly since 2006.
His poetry and fiction have appeared in various literary magazines, including Antenna, Aero-Sun Times, Bogus Review, Pen-Dec Press, Both Sides Now, Cross Cultural Communications/Bridging The Waters Volume II, and The Mascara Literary Review. Dramatika Press published a volume of his one-act plays in 1983. One of these, The Seeker, appeared in an issue of Collages & Bricolages. Peter was a contributing editor for NYArts Magazine, writing art and film reviews. He authored monographs on several new artists as well. He was co-publisher and Editor-in-Chief of Artscape2000, a prestigious, award-winning art review e-zine. He has also taught poetry and art for LEAP. He is an artist himself. His paintings and 3D works offer abstract images of famous people in all walks of life who have died tragically at a young age. He lives in Brooklyn.